BUY BROOKLYN FOR THE HOLIDAYS!
On Saturday December 8th, 3rd Ward is proud to present the 1st-ever Handmade Holiday Craft Fair and Open House where local artisans and craft mavens alike will be selling their wares in the classic marketplace style amidst an Open House filled with free tutorials and demos in vintage furniture restoration, sustainable lamp design, video animation, metal work, graphic design and more - all led by 3rd Ward Members and top artists and creative professionals.
We will be featuring special live performances, giveaways, discounts on membership, classes and studio rentals with steady beats, tasty refreshments and a fabulous photo booth on hand to keep the energy going throughout the day.
And right along with the spirit of giving we are going to be taking food and clothing donations for local shelters so please bring along some canned goods and clothing to donate to those in need. Giving is goodness...
So come out to 3rd Ward on Saturday December 8th and support your local artists and designers this holiday season and show Brooklyn the love it shows you every day.
The craft fair and open house will start at 12 noon and go until around 8pm with programs running throughout the day.
3rd Ward is located at 195 Morgan Ave in East Williamsburg Brooklyn.
Tuesday, November 27, 2007
Thursday, October 4, 2007
ART THAT MOVES YOU TO MOVE ART: vertigoes
ART THAT MOVES YOU TO MOVE ART
VERTIGOES
As one end goes up another goes round
An installation by Nathan Green and Owen Schoppe opens Friday, October 19, 2007 at 3rd Ward
Exhibition Dates: October 19 – November 19, 2007
Exhibition Location: 3rd Ward 195 Morgan Ave. Brooklyn, NY
Vertigoes, a large-scale installation by Nate Green and Owen Schoppe adapts forms from toys, games, and amusement rides to create an interactive and kinetic environment where sculpture fosters group engagement and interaction. Spanning two rooms, Vertigoes contains two interrelated sculptures – a carousel and a group of vertically over-lapped teeter-totters surrounded by 75 music boxes attached to the windows of the gallery. Through physical interaction with the sculpture’s mechanical and analog systems audience members will initiate the movement, displays of light and elements of sound, bringing forth the artists’ vision for Vertigoes. Acceptance of this invitation to engage in events occurring within the sculpture results in mesmerizing and disorienting effects.
From the artist’s statement – Magic can be made with the simplest of things – balls, blocks, jump ropes, and hula-hoops. Once animated through the imagination, such inert objects become mysterious and miraculous. They are the nucleus of our play, influencing how we interact with one another through their design.
The opening reception for Vertigoes takes place 7 – 10 p.m. on Friday, October 19th at 3rd Ward located at 195 Morgan Avenue in East Williamsburg. For more information please call at 718.715.4961 or visit www.3rdwardbrooklyn.org.
VERTIGOES
As one end goes up another goes round
An installation by Nathan Green and Owen Schoppe opens Friday, October 19, 2007 at 3rd Ward
Exhibition Dates: October 19 – November 19, 2007
Exhibition Location: 3rd Ward 195 Morgan Ave. Brooklyn, NY
Vertigoes, a large-scale installation by Nate Green and Owen Schoppe adapts forms from toys, games, and amusement rides to create an interactive and kinetic environment where sculpture fosters group engagement and interaction. Spanning two rooms, Vertigoes contains two interrelated sculptures – a carousel and a group of vertically over-lapped teeter-totters surrounded by 75 music boxes attached to the windows of the gallery. Through physical interaction with the sculpture’s mechanical and analog systems audience members will initiate the movement, displays of light and elements of sound, bringing forth the artists’ vision for Vertigoes. Acceptance of this invitation to engage in events occurring within the sculpture results in mesmerizing and disorienting effects.
From the artist’s statement – Magic can be made with the simplest of things – balls, blocks, jump ropes, and hula-hoops. Once animated through the imagination, such inert objects become mysterious and miraculous. They are the nucleus of our play, influencing how we interact with one another through their design.
The opening reception for Vertigoes takes place 7 – 10 p.m. on Friday, October 19th at 3rd Ward located at 195 Morgan Avenue in East Williamsburg. For more information please call at 718.715.4961 or visit www.3rdwardbrooklyn.org.
Common China: Opening Reception 10/12 7-10
COMMON CHINA
A selection of photographs by Kirsten C. Springer and sculptures by Liz Lessner opens Friday, October 12, 2007 at 3rd Ward
Exhibition Dates: October 12 – October 31, 2007
Exhibition Location: 3rd Ward 195 Morgan Ave. Brooklyn, NY
Common China talks about status and sex, taboo and display, advertising and commerce, and most of all fantasy and desire. Both Lessner and Springer frame this dialogue in terms of voyeurism but approach different aspects of what happens when we view images of desire. Lessner's sculptures, made out of Aqua-Resin are miniatures close to 6" high referencing collectible figurines from Victorian times, probe the limits of our culture's socially endorsed depictions of desire while Springer's photographs examine the commerce of self-display. Together these masturbatory works explore the fault lines in our culture's enthusiastic relationship to images of desire.
A selection of photographs by Kirsten C. Springer and sculptures by Liz Lessner opens Friday, October 12, 2007 at 3rd Ward
Exhibition Dates: October 12 – October 31, 2007
Exhibition Location: 3rd Ward 195 Morgan Ave. Brooklyn, NY
Common China talks about status and sex, taboo and display, advertising and commerce, and most of all fantasy and desire. Both Lessner and Springer frame this dialogue in terms of voyeurism but approach different aspects of what happens when we view images of desire. Lessner's sculptures, made out of Aqua-Resin are miniatures close to 6" high referencing collectible figurines from Victorian times, probe the limits of our culture's socially endorsed depictions of desire while Springer's photographs examine the commerce of self-display. Together these masturbatory works explore the fault lines in our culture's enthusiastic relationship to images of desire.
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